Ian Pedigo
Ian Pedigo (born 1973 in Anchorage, Alaska), is a sculptor, image and installation-based artist and writer living and working in New York, NY (Queens). Pedigo is known for his use of found materials and combining them with natural and hand-produced elements, producing abstract, conceptual works that are anthropological and artefactual in nature. He views his objects, assemblages and images as acts of discovery, creation, and recovery. His work is largely influenced by ideas of possible worlds as found in Modal Realism, the ethics of humanism, as well as aesthetics-based ecologies found in Jane Bennett's Vibrant Matter.
Life and career
[edit]Ian Pedigo was born on September 19, 1973 in Anchorage, Alaska. He grew up in a household with 7 siblings from two marriages, in an environment surrounded by creeks, forests, and mountains. He initially took an interest in music, playing in bands during and after high school, which eventually led to him moving out of state in 1994 to pursue a music career. While living in San Francisco, he visited the San Francisco Museum of Modern Art, where he first saw the art of Joseph Beuys. Beuys would remain a lasting influence for Pedigo throughout his formative years.
After discovering a deep interest in art, Pedigo moved to Dallas, Texas (where his father was from) and enrolled at the University of Dallas. There he studied sculpture and received an education in the Western Classical Literary Tradition. In 1999, he attended the University of Texas at Austin's Master's of Fine Arts program, earning his MFA in sculpture 2002. In 2001 he attended the Salzburg International Summer Academy of Fine Art, studying with the Russian installation artists Ilya Kabakov & Emilia Kabakov and the theorist/critic Boris Groys. In mid 2002, Pedigo moved to New York City with his wife, who he met at the architecture program at UT Austin.
His first solo show in New York took place at Klaus von Nichtssagend Gallery in 2006, earning critical attention for his unorthodox formal re-combinations of found materials.[1] Subsequently, his work was exhibited internationally, with solo and group exhibitions held in London, Paris, Milan, Berlin, Brussels, Florence, Gothenburg (Sweden), and in Canada.
Pedigo has lectured widely on his work at universities and institutions in the US and Europe including the Modern Art Museum of Fort Worth, Chicago Art Institute, Hunter College, American University, University of Gothenburg, University of Lethbridge, University of Tennessee at Chattanooga, and Kent State University.
He is represented by Klaus von Nichtssagend Gallery in New York.
Awards and public collections
[edit]Pedigo is the recipient of a Pollock-Krasner Foundation award, an Artists' Fellowship Inc. grant, a Foundation for Contemporary Arts grant.
His work is held in the collection of the Whitney Museum of American Art.
Press
[edit]Pedigo's work has garnered critical praise in many art publications such as New York Times,[2] the New Yorker,[3][4] Artforum,[5][6] Art in America,[7][8] Hyperallergic,[9] and ARTnews.[10]
Publications
[edit]In 2011 the Southern Alberta Art Gallery published a monograph on Pedigo's work featured writing by critic and curator Chris Sharp and an interview with the writer and critic Lillian Davies.
Sharp, Chris; Davies, Lillian (2011). Ian Pedigo: Works 2007-2010. Southern Alberta Art Gallery. ISBN 978-1894699495.
References
[edit]- ^ Bentley, Kyle (June 2006). "Ian Pedigo at Klaus von Nichtssagend". Artforum.
- ^ Smith, Roberta (2008-04-11). "Ian Pedigo: Titanium Pro". New York Times.
- ^ "Ian Pedigo". The New Yorker. 2010-02-15.
- ^ "Ian Pedigo" (PDF). The New Yorker. 2013-01-07.
- ^ Yood, James (January 2009). "Ian Pedigo". Artforum.
- ^ Wilson, Michael (December 2011). "Ian Pedigo". Artforum.
- ^ Maine, Steven (June 2010). "Ian Pedigo". Art in America.
- ^ "Ian Pedigo". Art in America. April 2014.
- ^ Maier, Allison (June 2010). "Sculptural Sorcery: Ian Pedigo's Assemblages of the Natural and Manufactured". Hyperallergic.
- ^ Durón, Maximilíano (December 2015). "Ian Pedigo, Klaus von Nichtssagend" (PDF). ARTnews.
External links
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